I also chat about the new printed version of the Zen Variations (and the printed Klee Collection too), for which there is a 20% discount with the code ‘SPRINGZEN’ in the EastLondonKnit Etsy shop. Also, there is an awesome giveaway from Woolly and Skeinny Dipping yarns, so please do have a peruse of the podcast for all the goodies!
Last but not least, Kettle Yarn Co. is helping me celebrate the launch of the printed Zen Variations with a discount on the yarn we used for several of the new Variations: Islington DK. You can get 10% off with the code ‘ZenLOVE’.
I have (finally!!) had the Zen Variations printed!
I am really pleased with how it has turned out, even though it took much longer than I had hoped that it would. We added several variations to the variations.
The original Yama Cardigan, for example, was knit it 2 gorgeous colours of The Fibre Co. Acadia yarn. To give people an indication of the versatility of the designs, I knit another version in a single solid grey colour, which you can see on the cover of the newly printed booklet at the top of this post.
I also have several new variations in gorgeous Kettle Yarn Co. Islington DK.
Above is the original version of the Intoku sweater in Acadia, with a longer length and pockets, to which we added the Islington version below, with a more cropped length and no pockets.
Tomorrow I will publish Episode 2 of the EastLondonKnit Podcast and if you tune in, you will get a code for a 20% discount off the printed Zen Variations and the printed Klee Collection as well as an awesome interview with Woolly Wormhead!
I think one of the challenges of working a set-in sleeve is that it isn’t obvious what is going on as it’s being worked, and one of the challenges of explaining the set-in sleeve is that the work is no longer flat, but 3-D, making the illustrating of the technique also less than obvious. Today I’ll attempt it anyway.
For a Zen Variations sweater, the Front and Back have been worked separately and then the body has been worked in the round, with stitches added on at the underarm (12). This leaves us with an empty armhole to fill with a sleeve as follows:
13. Pick up Sleeve sts from around the armhole.
14. Knit across the flat of the sleeve head (A), and work the sleeve head with short rows: working back and forth between sides B and C; W&T each st along the armhole sides until the sts cast on for the underarm (12) are reached. Then work sleeve in the round to cuff.
What is more beautiful than a clear and crisp day of Autumnal sunshine? A day like today makes me wonder why I don’t own a single Aran or Guernsey sweater, as they have suddenly sprung up everywhere, like beautiful ecru wild flowers. So I am resisting the urge to cast on, even though I really, really want to. I think I have to finish at least 2 sweaters before I am allowed to cast on anything else. That is, certainly, the reasonable thing to do…
I started this Enso sweater at the beginning of September for the Zen Variations knit along, and I am onto the sleeves now. The end is in sight!
I’m knitting the sleeves with the 2-at-a-time magic loop method, which is really my method of choice. I was convinced that I wanted to knit them with double-pointed needles, but when I tried it, I felt like a had no patience for constantly shifting the needles around. Maybe one of these days I will try Karen Templer’s method of knitting them flat, but for now, round and round I go!
How is your Slow Fashion October going? I am working on some more posts about it and really enjoying the conversation on Instagram and the Fringe Association blog. What do you think?
Autumn is here!! Whoop!! Bring on the sweaters and cast on ALL THE THINGS!
This is my mantra and I am practicing what I preach by having 4 sweaters on the needles at the moment. My monogamous knitting is, apparently, a thing of the past. I’m not sorry! It’s great to have the option of knitting on different projects and not worrying about running out of knitting, or sweaters for that matter. I’m probably not the only one who constantly thinks the next sweater is going to be the perfect sweater of dreams.
If your dream sweater is a top-down, seamless construction like those of the Zen Variations, then let’s talk construction! A post published few weeks ago, I discussed beginning a Zen sweater with the back. Today we are carrying on, working the fronts to the same point.
After knitting the back to the underarms, work the fronts individually:
7. Pick up stitches for the Left Front along the Left Shoulder.
8. Work straight for the length of the flat at the top of the sleeve head (see A below).
9. Begin Left Neck increases: this will be a different instruction for every sweater (+).
10. Work Left Front Underarm increases (+).
11. Put the Left Front sts on waste yarn and work the Right Front in the mirror image.
It should be starting to look like the top of a sweater now!
If you are interested in learning more about the process of knitting top-down seamless sweaters, please do join me you can join me at one of the Zen and the Art of Sweater construction classes coming up:
Although I don’t think you can tell from my face in the photo below, I am really pleased with my finished Yama! Admittedly, it is not the most adventurous of versions, but I wanted a wardrobe staple and I got one. It is perfect for wearing over dresses and with higher-waisted skirts.
I’m not bragging (well, I am), but I not only managed to finish the cardigan, I also finished a long-languishing dress for a whole outfit.
I am especially proud of this dress. Not because I designed it: I didn’t, it’s based on a favourite dress of mine from Old Town. And not because it is a perfect fit; it’s not (I refer you to the innovative ‘bust darts’). But because it is my first attempt at ‘clean work’, that is to say, a sewn garment with all of the fabric edges enclosed in the seams.
This was relatively simple in the case of the side seams and the fact that it is a sleeveless dress was also helpful. That said, I nearly broke my brain trying to figure out how to make the belt hole placket ‘clean’ and I had to admit defeat when it came to the patch pocket.
As for the difference in the fabric between fronts and back, I really don’t even know what happened there, as I cut all the pieces from a single piece of fabric. It was clearly fated to be a learning project.
I feel like this is a slippery slope: I have to make the dress again, this time with improved fit, matching fabric and there must be a clever way of working those pockets…. (read: the beginning of an obsession here… :0)
As a result of my background in fashion design and particularly machine knitting, the Zen Variations sweaters are constructed slightly differently from some of the other top-down sweater patterns.
Whereas many patterns call for matching short rows on both the front and back shoulders to create a shoulder slope, with machine knitting, the knitter works as many straight bits of knitting as possible to increase the speed at which a sweater can be produced. By pushing all of the short rows to the back shoulders, a steeper shoulder slope is created and the front can be knit straight–in other words very quickly.
I hadn’t really thought through this construction as a hand-knitting technique until I noticed the work of Linda, aka the Gauginator, on Ravelry. Linda has had an impressive career to date working for major yarn companies and developed a recipe for what she calls the ‘ESS’ or European Shoulder Seam. She has been perfecting this recipe with some beautiful sweaters:
These details from a couple of Linda’s designs showcase the beauty of the design: above the ESS (European Shoulder Seam) and below: Martina.
I asked Linda about how she came to this process and she send me a wonderful email detailing her knitting adventures:
I wanted something that mimicked a set-in sleeve, where the sleeve cap seam was in closer to the proper chest width.
Also, having the shoulder seam positioned further back on the shoulder provides for a much better hang to the sweater. As we know, a proper fit in any garment emanates from a perfect fit in the shoulder.
At the time there were a few commercial patterns out there that pushed the shoulder seam toward the back of the shoulder, but they were very cumbersome and bulky; simply sewing the seams together to force them to fit. I’ve seen this construction referred to as English-, Italian-, French-shoulder seams … I decided to call it European Shoulder Seam (“ESS”) to encompass all the countries 😉
So I took to my drafting paper and literally created a sewing sloper to achieve the three-dimensional shoulder portion. From there I applied my knitting gauge and off I went.
The magic of it all lies within the Front shoulder section which, surprisingly, is just a straight piece with no shaping. The way that piece “torques” over the shoulder is what causes the perfect fit. I had to go on faith, because I can’t “quantify” that torque. All I know is that it works in all gauges. Since that’s the case I’m happy to not be able to explain ‘how’ it works, just that it does 😉
Linda’s Notched Lapel cardigan.
While I had appreciated the idea of the set-in sleeve construction for its simplicity and for the speed at which a sweater could be produced, I had never considered the ‘torque’ aspect of the shoulder and how that makes it equally as relevant to hand-knitting as machine knitting. I am indebted to Linda for bring it to my attention!