I think one of the challenges of working a set-in sleeve is that it isn’t obvious what is going on as it’s being worked, and one of the challenges of explaining the set-in sleeve is that the work is no longer flat, but 3-D, making the illustrating of the technique also less than obvious. Today I’ll attempt it anyway.
For a Zen Variations sweater, the Front and Back have been worked separately and then the body has been worked in the round, with stitches added on at the underarm (12). This leaves us with an empty armhole to fill with a sleeve as follows:
13. Pick up Sleeve sts from around the armhole.
14. Knit across the flat of the sleeve head (A), and work the sleeve head with short rows: working back and forth between sides B and C; W&T each st along the armhole sides until the sts cast on for the underarm (12) are reached. Then work sleeve in the round to cuff.
What is more beautiful than a clear and crisp day of Autumnal sunshine? A day like today makes me wonder why I don’t own a single Aran or Guernsey sweater, as they have suddenly sprung up everywhere, like beautiful ecru wild flowers. So I am resisting the urge to cast on, even though I really, really want to. I think I have to finish at least 2 sweaters before I am allowed to cast on anything else. That is, certainly, the reasonable thing to do…
I started this Enso sweater at the beginning of September for the Zen Variations knit along, and I am onto the sleeves now. The end is in sight!
I’m knitting the sleeves with the 2-at-a-time magic loop method, which is really my method of choice. I was convinced that I wanted to knit them with double-pointed needles, but when I tried it, I felt like a had no patience for constantly shifting the needles around. Maybe one of these days I will try Karen Templer’s method of knitting them flat, but for now, round and round I go!
How is your Slow Fashion October going? I am working on some more posts about it and really enjoying the conversation on Instagram and the Fringe Association blog. What do you think?